The World Table

An interactive culinary compendium: recipes, lexicon and study

Okinawa · Main

Gōyā Chanpurū

  • Easy
  • 25 min
  • roughly 3 of 4 for cost

umami-deep · rich Leads with savory depth stacked from the pantry’s bass notes, richness that coats and comforts.

Ingredients

  • 1 goya (bitter melon), about 250g
  • 6g fine salt, for drawing the goya
  • 300g shima dofu, or the firmest tofu you can buy
  • 120g pork belly, rind off, sliced 3mm
  • 2 eggs, about 110g, beaten
  • 15ml awamori
  • 10ml usukuchi (light) soy sauce
  • 1g fine salt, to season
  • 20ml neutral oil
  • 3g katsuobushi, to finish
  • white pepper

The skills inside

Sautéing & the shallow frySteaming: basket, leaf and lid

The words inside

Bitter Melon

Allergen screen

Found: gluten · egg · fish · soy · alcohol

Screened for: gluten, dairy, egg, nuts, peanuts, fish, shellfish, molluscs, soy, sesame, celery, mustard, lupin, alcohol. Not screened: sulphites.

Screened by keyword from the ingredient list, not reviewed by a person; check every label for what the list cannot show.

Method

  1. Halve the goya lengthwise and scrape out the seeds and every trace of the cottony white pith with a spoon, then slice 3mm thick across.
  2. Toss the slices with the 6g salt and leave 10 minutes, until water beads on them and a slice bends instead of snapping. Squeeze once, hard, in your fist and do not rinse. Taste a piece: it should still be plainly bitter. 10 min
  3. Tear the tofu into 3cm lumps and fry them undisturbed in a hot oiled pan until the torn faces are gold and squeak against the spatula. Lift out.
  4. Fry the pork in the same pan until its fat runs clear and the edges crisp, then add the goya and toss over the highest heat for 90 seconds, until the green brightens and the cut edges blister.
  5. Return the tofu, splash in the awamori and soy, season with salt and white pepper, then pour the egg round the edge of the pan and fold twice.
  6. Kill the heat while the egg is still glossy and barely set, pile it up, and scatter the katsuobushi so it curls in the steam.

How to tell it is going right

This dish has no standard of its own yet. It is judged on the techniques it exercises: checked at the pan, while there is still something to be done about it.

Sautéing & the shallow fry 80 recipes

  • Everything sits in a single layer with visible space between the pieces: nothing stacked, nothing touching, or the pan is too small for the quantity.
  • The pieces move freely and keep moving, sliding across the pan rather than sticking and tearing when the pan is worked.
  • Light even browning arrived at quickly: colour on most faces, not the deep crust of a sear and not grey.
  • A thin film of fat with the food glossed by it: no pool left in the pan at the end, and nothing greasy on the fingers or the plate.
  • Cooked through but still firm, having spent only a few minutes in the pan: anything that has gone soft has been in there too long.

Where it goes wrong Too much went in at once, the pan cooled, and the food released its water: what was meant to brown in three minutes stews for ten and comes out grey, slack and wet.

Steaming: basket, leaf and lid 130 recipes

  • Steam was running before the food went in: the water at a rolling boil and vapour coming steadily through the basket, rather than the whole thing warming up together.
  • Nothing touches the water at any point: the food sits clear of it throughout, and the level neither drops enough to boil dry nor rises enough to wet it.
  • The lid stayed on. Every lift costs the chamber its heat, and the number of lifts should be as close to none as the dish allows.
  • Lifted out, the surface is glossy and plump with its colour heightened rather than dulled: greens brighter than they went in, not olive.
  • Cooked through with the shape intact: it yields at the centre without having slumped or split, and there is no more than a spoonful of clean condensate beneath it.

Where it goes wrong The lid was loose or dripping and the condensate fell back onto the food, so it arrives waterlogged and pale with its seasoning washed down into the bottom of the dish.

At the Table

The Pour
Riesling or Grenache
Also Right
Cru Beaujolais
From the Taps
Farmhouse saison
Zero-Proof
Cloudy apple juice, chilled

Pork loves fruit and gentle sweetness: orchard-note whites and low-tannin reds flatter it where heavy oak flattens.

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Film school

This dish, cooked on camera Search films of Gōyā Chanpurū The cuisine, deeper Technique films from the Okinawa kitchen