The World Table

An interactive culinary compendium: recipes, lexicon and study

Pacific Islands · Starter

Kokoda

  • Easy
  • 25 min
  • roughly 2 of 4 for cost

bright · rich · fiery · silky Leads with acid holding everything up to the light, richness that coats and comforts, melting away silken.

Ingredients

  • 600 g walu (Spanish mackerel) or mahi mahi fillet, skinned and pin boned
  • 180 ml fresh lime juice, from about 8 limes
  • 10 g fine sea salt
  • 300 ml first pressing coconut cream
  • 1 red onion, 120 g, sliced paper thin
  • 2 ripe tomatoes, 200 g, seeded and cut into 1 cm dice
  • 1 small cucumber, 150 g, seeded and cut into 1 cm dice
  • 3 bird's eye chillies, deseeded and minced
  • 2 spring onions, thinly sliced
  • a small handful of coriander leaves

The skills inside

Straining & passing through a sieveKnife cuts: dice, julienne, biasResting meat & slicing against the grain

Allergen screen

Found: fish

Screened for: gluten, dairy, egg, nuts, peanuts, fish, shellfish, molluscs, soy, sesame, celery, mustard, lupin, alcohol. Not screened: sulphites.

Screened by keyword from the ingredient list, not reviewed by a person; check every label for what the list cannot show.

Method

  1. Cut the fish across the grain into 15 mm cubes so the pieces stay square instead of shredding, then toss with the salt and lime until every face is wet.
  2. Cure in the coldest part of the fridge until the cubes have gone opaque, then cut one in half and stop while the very centre is still faintly translucent.
  3. Drain the fish in a sieve and press it gently with the back of a spoon; throw away the milky lime, which is now watery and bitter.
  4. Fold through the coconut cream, onion, tomato, cucumber, chilli and spring onion, then taste for salt; it will take more than you expect.
  5. Scatter the coriander over and serve cold, in half coconut shells if you have them.

How to tell it is going right

This dish has no standard of its own yet. It is judged on the techniques it exercises: checked at the pan, while there is still something to be done about it.

Resting meat & slicing against the grain 56 recipes

  • It came off the heat BEFORE the target temperature, measured with a probe rather than by time, because carryover keeps driving the inside up after it is out.
  • The probe went into the coldest likely part rather than the easiest one to reach: the reading that matters is the lowest one, not the first one.
  • Rested for a time matched to its size, somewhere warm, and not cut into partway through to see how it is doing.
  • The board is nearly dry when it is finally cut. A spreading pool means it was cut too early, and that liquid should have stayed inside.
  • The grain was found and the knife went ACROSS it, so the fibres are cut short, and the blade was sharp enough that the slices hold together rather than tearing.

Where it goes wrong It was cut straight off the heat, usually because everything else was ready. The muscle is still contracted and the juice still driven to the centre, so it runs out onto the board; the meat is drier than it ever needed to be, and the flavour that left it is sitting in a puddle under the knife.

Straining & passing through a sieve 148 recipes

  • Nothing solid got through: a finger drawn through what came out finds no fibre, seed, skin, curd, or grit.
  • Where the dish wants body it was worked through rather than left to drip, and the solids left in the mesh are spent and dry rather than still holding liquid worth having.
  • It is judged on the tongue rather than by eye: smooth, with no residual grain left behind after the mouthful has gone.
  • The mesh was fine enough for the job and held its shape, and nothing bypassed it by going over the rim.
  • The yield is close to what went in less the spent solids: not half of it abandoned in the sieve because it stopped running and nobody pushed.

Where it goes wrong It was pushed through a mesh too coarse for it, or the sieve was overloaded and slopped at the rim, so the fibres it was meant to remove are in the finished sauce and it reads grainy on the tongue.

At the Table

The Pour
Off-dry Riesling (Mosel Kabinett)
Also Right
Gewürztraminer or off-dry Chenin
From the Taps
Crisp lager or pilsner
Zero-Proof
Agua fresca or iced jasmine tea

Sugar, cold, and low alcohol are the fire code: sweetness tames capsaicin while acid resets the palate; tannin would fan the flames.

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Film school

This dish, cooked on camera Search films of Kokoda The cuisine, deeper Technique films from the Pacific Islands kitchen