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Pupusas con Curtido

  • Intermediate
  • 1 h 30 m
  • roughly 1 of 4 for cost
  • Vegetarian

rich · bright · tangy-ferment Leads with richness that coats and comforts, acid holding everything up to the light, with a lingering ferment tang.

Ingredients

  • 400g masa harina + ~500ml warm water + ½ tsp salt: a soft, pliable masa, wetter than tortilla dough
  • Fillings: grated quesillo or mozzarella; refried beans; chicharrón paste, or all three (revueltas)
  • Curtido, made FIRST: ½ cabbage shredded, 1 carrot grated, ½ onion, oregano, brined in hot water + vinegar + salt, resting minimum 2 h (overnight is respect)
  • Salsa roja: blended tomato, simmered thin and mild
  • A hot comal and a small bowl of oiled water for your palms

Equipment

Grater / zester

The skills inside

Working with masaTortillas on the comalBrining & curing

The words inside

Resting, Carryover & the ThermometerQueso Oaxaca (Quesillo)

Allergen screen

Found: gluten · dairy

Screened for: gluten, dairy, egg, nuts, peanuts, fish, shellfish, molluscs, soy, sesame, celery, mustard, lupin, alcohol. Not screened: sulphites.

Screened by keyword from the ingredient list, not reviewed by a person; check every label for what the list cannot show.

Method

  1. Make the curtido first: pupusas without curtido are unaccompanied minors.
  2. Ball the masa; press a well with your thumb; pack in filling; close the masa over and pat between oiled palms into a thick disc, rotating; leaks are patched with a pinch of masa, not mourned.
  3. Cook on a medium-hot comal 4–5 min a side until freckled brown and puffed slightly; the cheese should threaten the edges. 5 min
  4. Serve hot, curtido piled on top or beside, salsa spooned over. Eat by hand, tearing, in the pupusería tradition.

How to tell it is going right

This dish has no standard of its own yet. It is judged on the techniques it exercises: checked at the pan, while there is still something to be done about it.

Working with masa 13 recipes

  • Pinch a small piece and roll it closed between finger and thumb: hydrated correctly the edge stays smooth and seals over on itself; a fringe of fine cracks opening along the pinched edge is under hydration, and every piece off that batch will split at the rim. In the hand it feels soft and yielding and leaves a matt film on the palm, never a wet skin that strings when the hand lifts away.
  • After the rest it is damp and matt right through, and it has been kept covered the whole time: a pale dried skin over the mass, or grit that grinds under the thumb when a ball is squashed flat, means it stood open to the air or was shaped before the moisture had reached the centre of the ground grain.
  • It lifts off the press as one clean piece, the rim unbroken and the thickness even from side to side at roughly 2 mm, and a hand shaped piece is judged the same way, with no thin translucent windows worn through the middle. A lacy scalloped rim, or a piece that stretches and tears as it is lifted, fails the mark.
  • Held to the face it smells of toasted sweet corn, faintly mineral and clean. A sharp chalky or soapy smell of raw lime, or a bitterness sitting at the back of the tongue when a raw pinch is tasted, means it was under rinsed and no amount of heat afterwards will drive it off.
  • On a surface holding 190 to 200 C (375 to 390 F) it lifts and balloons across most of its face on the last turn, then settles soft and pliable as it cools. Rested a minute and folded in half, it creases without splitting: a piece that never lifts, or that cracks white along the fold, is failed however good its colour.

Where it goes wrong Too little moisture worked in, and no rest to let what there is reach the centre of the ground grain: it handles well while it is being mixed, then tightens as it stands, so the pieces come off the press with cracked scalloped rims, sit flat and pale on the heat and never lift, and go stiff within a minute of coming off, breaking along the crease instead of folding.

Tortillas on the comal 27 recipes

  • It puffs. On the second turn the tortilla lifts into a dome as the trapped water flashes to steam and splits the two faces apart; a tortilla that never puffs was pressed too thick, cooked too cool, or turned too often.
  • Freckled, not blackened: small brown spots across a pale field. An evenly browned tortilla has been on too long and will be a cracker by the time it reaches the table.
  • It folds without cracking while warm, and still folds after five minutes under a cloth. A tortilla that splits along the fold has lost too much water on the comal.
  • The edges are unbroken and roughly round, with no ragged fringe: a fringed edge means the masa was too dry when it was pressed, and no amount of heat will fix it afterwards.
  • It smells of toasted corn rather than of scorch or of raw lime. Raw lime means the nixtamal was under-rinsed; scorch means the comal was above the working heat.

Where it goes wrong The masa was too dry or the comal too cool. A dry masa cracks at the edge on pressing and cannot generate the steam that puffs it; a cool comal dries the tortilla through before the water can flash, so it leaves the heat stiff, pale and already stale.

At the Table

The Pour
Chianti Classico or Barbera d’Alba
Also Right
Vermentino for the lighter plates
From the Taps
Italian pilsner
Zero-Proof
San Pellegrino Sanbittèr

Tomato’s acid demands equal acid: Italian reds evolved beside the sauce, and the regional pairing is the safest law in wine.

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Film school

This dish, cooked on camera Search films of Pupusas con Curtido Technique: Working with masaThe skill inside this recipeTechnique: Tortillas on the comalThe skill inside this recipe The cuisine, deeper Technique films from the Street Food Atlas kitchen