The World Table

An interactive culinary compendium: recipes, lexicon and study

Lunch Atlas · Main

The Cubano

  • Intermediate
  • 60 min
  • roughly 2 of 4 for cost

rich · herb-fresh Leads with richness that coats and comforts, fresh herbs arguing happily on top.

Ingredients

  • 1 loaf Cuban bread (soft, lard-enriched, thin-crusted, a sturdy soft baguette approximates)
  • 300g mojo roast pork, sliced (leftover pernil is the sandwich's reason for existing)
  • 200g good sliced ham; 150g Swiss cheese
  • Dill pickle slices, a full deck; yellow mustard: plain, ballpark yellow; this is canon
  • Butter for the press; a plancha, panini press, or a skillet plus a foil-wrapped brick

Equipment

Skillet

The skills inside

Griddle & plancha work

The words inside

Tiki & the Rum CanonSwiss Chard

Allergen screen

Found: gluten · dairy · mustard

Screened for: gluten, dairy, egg, nuts, peanuts, fish, shellfish, molluscs, soy, sesame, celery, mustard, lupin, alcohol. Not screened: sulphites.

Screened by keyword from the ingredient list, not reviewed by a person; check every label for what the list cannot show.

Method

  1. Split the bread; mustard on both faces, no mayo; Tampa and Miami agree on almost nothing but they agree on this.
  2. Layer: ham, mojo pork, Swiss, pickles; close.
  3. Butter the outside; press under weight in a medium skillet, flipping once, 4–5 min a side. 5 min
  4. It is done when flattened to half height, the crust is gold glass, and the cheese has committed. Cut on a hard diagonal: the cut is traditional and non-negotiable.

How to tell it is going right

This dish has no standard of its own yet. It is judged on the technique it exercises: checked at the pan, while there is still something to be done about it.

Griddle & plancha work 45 recipes

  • Full contact with the metal: the food lies flat, with no dome in the middle and no curled edge lifting it away, so browning reaches the entire face rather than a ring of it.
  • Contact is immediate and audible, and the food stays where it is put rather than sliding around in a slick of its own released liquid.
  • The cooked face is an unbroken sheet of even colour: the whole surface browned, not a pattern of marks with pale ground between them, and not a dark centre with pale corners.
  • The metal around the food is dry: no spreading wet patch steaming out from under it, nothing weeping onto the surface and boiling there.
  • Turned once or twice and no more, and lifted while the crust is still brown: a piece flipped repeatedly never holds heat long enough to build one.

Where it goes wrong The surface was crowded and its temperature crashed, so everything gave up its water at once and stewed on the metal: pale, damp, grey at the edges, and stuck fast where the crust never got the chance to form.

At the Table

The Pour
Riesling or Grenache
Also Right
Cru Beaujolais
From the Taps
Farmhouse saison
Zero-Proof
Cloudy apple juice, chilled

Pork loves fruit and gentle sweetness: orchard-note whites and low-tannin reds flatter it where heavy oak flattens.

Saved on this device and kept across visits: export from My Menu to move them.

Film school

This dish, cooked on camera Search films of The Cubano Search YouTube: J. Kenji López-Alt on The Cubano A YouTube search for J. Kenji López-Alt and this dish. No affiliation.